Tag: independent watchmaking

Stepan Sarpaneva Nocturne: A Stunning Vision Of Luminous Rapture Dedicated To The Moon And Earth

(A multi-layered delight, the dial pays homage to the mysterious Moon, and its relationship to the earth and Her creatures)

Indications of lunar behavior, the well-known moon phase indicator chief among them, have always been some of the most beloved of complications in classical watchmaking, the slow rotation of the little disc with double moons on it marking the waxing and waning of the earth’s natural satellite over the 29 1/2 day cycle. But few if anyone in the field has quite the fascination with our moon as does young, yet accomplished independent Finnish watchmaker Stepan Sarpaneva, who studied watchmaking in both Switzerland and his native country, and was a protege of no less than Kari Voutilainen and complications master Christophe Claret. In time, perhaps inevitably, the talented and restless Sarpaneva would strike out on his own, to forge a creative ideal unique to his distinct vision of independent horology. I remember the first time I beheld one of Sarpaneva’s Korona Moon Phase models around 2008/2009–I was transfixed, perhaps even a little spooked, by his expressively large, and even slightly diabolical moon phase, that last bit being as much over the intense expression on the Man in the Moon’s face (phase?) as the shockingly large size, which went far beyond a mere afterthought like a moon phase indicator typically might be in more classical watches. Yet, I found it engrossing, beautiful, and undeniably unique. That uniqueness has come to define Sarpaneva’s entire output, irrespective of complication (or simplicity, as the case may be), but it’s pretty clear that watches showcasing the moon have become sort of his signature. And with that, we come to the Nocturne, an absolute delight of horological theatre, even if that drama must–by necessity–play out in gradual fashion, just as the real thing does.

(The luminous, orange moon represents the Harvest Moon, and is one of two limited edition variants Sarpaneva offers for the Nocturne)

Highlighted against the intricate and unmistakable contours and finishes of the 42mm case in a special stainless steel alloy native to Finland, is a dial that strikes you simultaneously with its breathtaking three-dimensional depth, and, rich use of color and texture. An owl gazes intently over a graduated, sparkling body of water over which clouds float, all creating a scene of calm and picturesque beauty as striking as any from a proper Elvish fantasy. Rotating through and over the scene through the passage of the month is the signature Sarpaneva moonface, omniscient and oddly benevolent, yet slightly mischievous and maybe even stern at times, depending upon how your interpret the mouth and eyes. Stars float around it, and a shooting star gradually makes its way across the night sky as the phases progress, this brilliant little interloper eventually covering the Moon’s face completely at the arrival of the New Moon.

(At New Moon, the moon disappears fully from view….in its place, we see a shooting star upon a field of stars. It won’t be long though!)

According to Sarpaneva, as he has related it in various interviews, the Moon has always been a massive influence, and an actual guiding light in the beautiful yet rugged Finnish landscape, particularly in the harsh winter. We sense that very clearly in this dramatic dial conception, which came about in part from the creative input of Ville Tietäväinen, a fellow Finn and celebrated illustrator and graphic novelist; the latter’s works include “Invisible Hands”, a prize-winning story of existential and fundamental human struggles, among other projects known mainly within Finland. Be that as it may, the struggles of this watch are measured and precise, its functions driven by a Soprod caliber that has been modified as needed for Sarpaneva’s purposes, beats at 28,800 vph, and has a 42 hour reserve at full mainspring tension. While fairly simple, as automatic movements go, the sight through the exhibition caseback has decided charm, with thoughtfully composed details such as an openworked rotor complete with a smiling–and partially luminous–moon-face motif. That said, unlike many watches most celebrated by collectors, the Sarpaneva Nocturne is best enjoyed for its wonderful dial, which comprises no less than six separate components, including a lower plate with 233 individual openings, and of course…the creative and ample application of luminous material to create an otherworldly aspect to a creation that is as much a story of moon and earth, as it is a timekeeper. Yet, with it’s large lance-tipped hands, it still tells the hours and minutes with great clarity by day or night…a point not to be unappreciated in a timepiece so seemingly fantastical.

(Beautifully finished, yet totally non-imitative, the Nocturne by Sarpaneva is a unique example of independent horology)

This is not a fast-paced, frantic watch with a 1/10th thundering chronograph, rapidly turning tourbillon, or some such virtuoso thing; the Nocturne’s functions are slow and measured, barely perceptible yet clearly progressing and advancing the cycles of life. Watches that allow contemplation beyond the essentials have become something I deeply appreciate in the world we inhabit today, and this is a very special example of the breed, rendered with real love of the details, and a sense of how the relationship of earth and moon give us the very life we have to be able to measure time with in the first place. “#Not for everyone” is the motto of Stepan Sarpaneva, and it’s clear that this accomplished Finnish watchmaker will continue to find joy in creating unique mechanical watches that are as far from a corporate committee as you can get. Those who do understand, are already seeking these watches out, and just 30 of each version will be made, at a price of 19,000 Euros each.

(The two versions of the Sarpaneva Nocturne, both limited to 30 pieces. 19,000 Euros is the asking price)

Romain Gauthier Continuum Titanium Edition One: High Luxury Sports Watch At Another Level Of Excellence

Some people really do have everything, and are looking for the next frontier of luxury experience. Others could have everything, (or pretty close to it) but choose to be more selective in their process, and want to surround themselves with exceptional objects so discreet and unusual that only a handful of cognoscenti would have any idea. For either of those categories of elite watch collectors, the brilliant and perfectionistic Romain Gauthier has just the piece for you: the Continuum Titanium Edition One. It is sure to be an appetizing antidote to the hegemony of the Patek Philippe Nautilus, nameless AP Royal Oak Offshore Limited Edition, or even another hyper-priced, but perhaps equally overly hyped, Richard Mille.

(A component from a Romain Gauthier watch, showing the typical obsessive attention to finishing and detail practiced by the Manufacture)


For those who’ve been following the progression of Romain Gauthier since the early 2000s, it’s indeed difficult to not be impressed with the combination of exceptional artisanal finish and mechanical ingenuity embodied in the creations of this humble yet demanding independent–one who’s passion originated not from a watchmaker’s training, but a background in precision engineering. This, of course, ultimately led to Gauthier’s first ventures in creating high quality parts and technical solutions for other watchmakers. Yet, after doing that for a time, the man grew restless and sought to create a watch collection of his own, unifying the best of classical watchmaking with his own forward-thinking mechanical and aesthetic ethos. Those ambitions in haute horlogerie were nurtured and coached by none other than Philippe Dufour, who’s expertise the ambitious yet humble founder sought out from the early days, with results that have been clear to see across the growing, award-winning Romain Gauthier collection. And while it was tours de forces like the exquisite “Logical One” with its superbly crafted, ingenious jeweled chain-and-fusee mechanism that have increasingly made the name a magical one for collectors of the ultra-rare, sports watches weren’t something you might have expected to see.  With the introduction of the Continuum, limited to an achingly small edition of 28 pieces, that has all certainly changed. It is a watch far…far from inexpensive, and nor would you expect it to be given the maker, but the CHF 37,000 price accorded the Continuum is really quite reasonable indeed when you begin to wrap your heart and head around the Romain Gauthier watchmaking philosophy, the true labor of love involved in any watch emerging from the atelier, and the undeniable, hyper exclusivity factor.

The team at Romain Gauthier have created a case measuring 41mm wide by x 9.55 mm tall in hypoallergenic Grade 5 titanium. At a length of 49.5mm lug to lug, it is certainly a wrist filler, but given the striking presence and flawless execution, I doubt it will be an impediment to a real love affair with this watch! What grabs you immediately with the Continuum Titanium Edition One is the unity of a striking design with beautiful, and extremely intricate craftsmanship, from the brushed and polished alternating scallops on the bezel, to fascinating angular lugs that perfectly mate to the dark grey rubber strap. Even the strap carries on that feeling of extreme detail, from the texture of it, down to the richly crafted buckle in finely brushed and polished alternations. Everywhere you look, contrasting finishes and angles surfaces converge in sublime and delightful ways, drawing the viewer in to discover additional secrets about the watch that might not have been evident on the first, or even the tenth viewing. As with the best movies, books, or music, a truly great watch can be discovered–and rediscovered–many times over, and the Continuum certainly passes that litmus test with flying colors.

(The utmost attention to detail continues even to the strap and buckle textures)

The dial titillates the eye in a similar way, featuring an unusual yet compelling merger of drawn out and compact indexes, the always-charming “3-6-9” Arabic numeral principals that have defined more than a few famous sports watch dials over the decades, and an offset subsidiary seconds dial that is both restrained and a little bit crazy at the same time, thanks to the unusual red sunray pattern exploding out from it. Meticulous finishing contrasts abound here as with the case, the matte, grained Grade 5 titanium dial giving emphasis to the subtle faceting of the hour indexes, which–like the quite three-dimensional hands (sort of a neo-dauphine style, perhaps?)–are crafted from satin-finished white gold, and have ample luminous fill to keep things easily legible in darkness.

But it is through the exhibition back where the Continuum Titanium Edition One surely proves its ultimate mettle. The impression of this in-house produced and conceived, manually wound Romain Gauthier caliber is that of a strong and capable machine conceived with vibrant engineering passion, yet one beautifully designed and finished with the highest degree of care from the ground up–a melding of traditional watchmaking concepts with something modern, and perhaps even futuristic, you might say. Manually wound, the basics include a construction of 154 parts, 24 jewels, a 28,800 vph beat rate, and 60 hours of power reserve. The bridge shape and detail–an homage to the “finger bridge” style synonymous with classical Vallee de Joux movements–aren’t decoratively fussy in any way, yet show off extreme attention to finishing quality, and a distinctive three-dimensional aspect, much in the same manner as the watch’s hand set. A fascinating, hand-applied tremblage type finish graces the primary surfaces and matte, coolly-technical bevels with a distinct double-bordered step frame them in; they aren’t as immediately visually radiant as the bridge finishing seen on some of the more complex Romain Gauthier models, but I think the aesthetic perfectly suits the flavor and themes of the Continuum as a whole. It is subtle and technical, with a modest beauty that pulls you in…at which point you realize this is far beyond your average, entry-level Audemars Piguet or Patek Philippe reference.

Examining the painstakingly finished wheels with their swooping, circular–and yes, beveled!–spokes reveals the same fanatical attention to minding the little things, and the construction of the caliber allows us to perceive many interesting technical and decorative aspects. Examples of the latter would include the black polished S-shaped screws securing the bridges (also a feature on the caseback of the watch, in a superb example of luxurious continuity), the distinctive conoid regulating weights on the freely sprung balance wheel, and an ingenious snail cam for precise stopping and restarting of the escapement. This beautifully polished little component comes in contact with the balance wheel when the crown is pulled out to affect setting, and creates optimal precision not just in halting the balance, but getting it robustly back into motion once the crown is pressed back in. Romain Gauthier also proudly makes note of their proprietary triangular pallet lever, a subtle but notable improvement to the typical more fork-like appendage seen in most Swiss lever implementations.

(Romain Gauthier’s triangular pallet lever advances classic Swiss lever escapement performance)

The triangular modification of this small yet critical escapement component is claimed to improve stability, efficiency, and shock resistance as well as give a slight boost to the balance amplitude, all while retaining the classic reliability and predictable performance of the proven Swiss Lever. Again, a nod to proven traditions of watchmaking, but rendered in a fresh, thoughtful, and cleverly engineered way! The Romain Gauthier way.

A founder with real passion for excellence, Romain Gauthier is at the vanguard of 21st century independent watchmaking

Voutilainen 28SC-SB Central Seconds Watch: Another Handcrafted Masterpiece

Any time that independent watchmaking master Kari Voutilainen debuts a timepiece, it is an event worth paying attention to. One of the world’s greatest living masters, his penchant for classic yet deeply individualistic design, to say nothing of technical and finishing perfection to the highest standards of the horological craft, have long defined his extremely exclusive output and made his works coveted to collectors in much the same manner as fellow AHCI independent and legend Philippe Dufour.

Voutilainen’s new 28SC-SB Central Seconds is first and foremost a technical tour de force, as would be expected. The sapphire exhibition back reveals a place of harmony, artisanal hand finishing typical of Voutilainen, and technical innovation. Perhaps most striking is the wonderfully large and visually dominant balance wheel which incorporates a virtuosic escapement: at the heart, a balance spring incorporating a Phillips overcoil on the exterior curve, and a much less commonly encountered Grossmann curve on the internal. Among the various attributes of this unconventional and meticulously rendered system are a significant reduction in friction compared to a typical Swiss lever escapement, through use of two escapement wheels which convey an efficient direct impulse to the balance. This aspect, in conjunction with Voutilainen’s exceptional attention to regulation, to say nothing of perfect finish of every component in the gear train, assures a very high degree of chronometric performance, all while keeping the traditional (and may I say, poetic and beautiful!) beat rate of 18,000 vibrations per hour like the pocket watches of old. In that same way, the bridges showcase a lovely frosted finish with perfect polish on the interior angles that contrast beautifully with the black polished screws, balance bridge and other steel components. Pinions and wheels showcase similar uncompromising standards of functional and decorative nuance, to ensure not just absolute beauty in aesthetics, but a watch movement that will endure countless decades and generations, all while keeping time brilliantly.

Kari’s lovely Vingt-8 movement gets an interesting case as well. Showcasing classical lines and elegantly shaped lugs, the Central Seconds case is crafted from an unusual variety of 316L. Dubbed AISI 4441, the properties are described as solar-forged and of 100% recycled (and re-recyclable) stock, of which this series of watch cases was apparently the very first use of. While the apparent environmental benefits are certainly appreciated, the beauty is undeniable, and keeps our fascination with steel cases for the finest pieces well and truly alive.

And the dial…what a dial! A feast of textures, colors, and materials, the base material is silver upon which multiple textures interplay. At the periphery, with applied cabochons outboard of the hour indexes is a grained finish. Interior to that, containing the faceted hour indices themselves is a barleycorn type guilloche in green, while the champagne center displays the waviest of guilloche with an almost three dimensional effect. The hands are as distinctive and striking as they are masterful in construction and finish: wrought from a combination of blued steel and 18K gold, they invoke classicism and strong character at the same time, and are another wonderful detail (amongst so many) to enjoy. I’ll add how much I love the winding crown, too: it is quite short and barely sticks out from the caseband, but the deep knurling and large size relative to the case creates an exciting point of architectural interest, and a sense of what is sure to be heightened anticipatory joy as the lucky owner prepares to wind this very special mechanism.

The sad part? Only 12 of these will be made…and one may be certain they’re all spoken for. Seeing work like this is always a pleasure though, and defines what “Grails” can be when we really aren’t fooling about with the term.

MB&F Legacy Machines 101: Pure Imagination in Watchmaking Art, Fantasy, and Classical Steampunk

It is a decidedly difficult task for the watch lover to not be enraptured by the many wondrous horological propositions of Maximilian Busser. One of the industry’s most consistently inventive, and mechanically enraptured frontmen, he’s stunned us over and over from the early days of the Harry Winston Opus series in the 1990s, then to his own ventures at MB&F with the wildly inventive Horological Machines and on to the fundamentally simpler, yet no less stunning Legacy Machines line of which we have further development here to ponder over. The Legacy Machines 101 are MB&F’s attempts to distill the pure aesthetics of functional watchmaking in a way that creates genuine visual intrigue and openness into the heart of horology, as seen through the lens of classical 19th century craftsmanship and technical solutions. Thrust high above the stepped and separated subdials for hours and minutes, as well as seconds, the balance wheel and escapement float high atop it all, like something from a Salvador Dali painting. The result is ethereal, yet technical and mesmerizing, a tribute to both science and fantasy. As always, the perfectionist ethos of MB&F’s friends, such as the legendary independent master Kari Voutilainen who was an early partner in these watches, ensure that every single component of the movement, is engineered and finished to a level near the pinnacle of the craft.

2021’s LM101 editions add further visual intrigue to this lovely line of watches with gorgeous shades of clear lacquer, in a royal blue for the red gold version, paler blue for the stainless steel option, and an iridescent purple for the white gold Legacy Machine 101. The scintillating nature of this dial is achieved by the manufacturer via a multi-layer, multi-step heating process in which these layers of translucent lacquer are gradually drawn out to cover the entire dial’s surface area. These are all so gorgeous to behold, I don’t know how one could choose, and can only say there is no answer which isn’t resoundingly right! “Let the beholder find their beauty.”

As always, bravo to Mr. Busser and his team, for ensuring we all just can stop a moment to appreciate the wonder of Swiss watchmaking at a fantasy level, both in terms of pure craftsmanship, and inventive artistry that transcends petty commercialism.

Laurent Ferrier Classic Origin Green: Sublime Independent Watchmaking Artistry

Why do we love this watch?

It is quite hard not to take joy in the creations of master Laurent Ferrier.

Once a complications specialist at Patek Philippe, the deft hands of Mr. Ferrier have produced a beautiful collection of timepieces that show simplicity, a signature sense of unforced elegance, and an unusually high degree of finissage applied to the movement in the best traditions of haute de gamme craftsmanship. The new Classic Origin Green, as its name suggests, offers us a mysterious dial in a delightful shade of green, brighter and more verdant towards the center–like a forest with sunlight streaming through the leaves–to a darker gradient at the edge. Yellow Arabic numerals at the 5 minute sectors imbue an ever so slight sporting aspiration to the look, but without any hint of being excessive. As always, the spear-shaped “Assegai” hands in white gold immediately provide a strong cue to the Ferrier brand, along with the sumptuous curves of the round Gallet case, in this model 40mm, just 10.7mm thick, and being wrought from feather-light Grade 5 titanium. You can be certain this Laurent Ferrier watch will be as effortless to wear as it beautiful to behold.

Owners will surely spend as much or more time gazing through the back at the LF 116.01. While not quite as open to the eye as some of Ferrier’s micro-rotor automatics, this movement projects a sense of both strength, beauty, and the ability to endure the centuries…rather the point of a truly fine watch, to my mind. The lovely curves of the balance cock, bridges, and escape wheel, large polished jewel sinks, and nearly perfect transitions between edges on components showing a hand-achieved interior angle are but a few of the visual delights. Also distinctive to these Ferrier calibers are the frosted, micro-blasted finish on the bridges, which showcase a restrained sense of luxury while bringing each component into focus. One of my favorite single components is the long bladed ratchet pawl governing the winding mechanism, which sparkles with black polish and just smiles out at you…assuring you of what a delight this piece will be to hand-wind and set.