Tag: haute horlogerie

Laurent Ferrier Tourbillon Grand Sport Pursuit: A Study In Exquisite Restraint Within The World Of Heavy Hitter Luxury Watches

Matte, rounded like a pebble and subtle to the eye, this watch is much more than it appears at first

Yes, Rolex is set to release their 2023 models, and everyone’s talking about it, placing frenzied wagers on what exactly the world’s largest and best known watch brand will add to their lineup. But I’ve blathered about Rolex quite a bit of late (when I’ve had time to sit down and pontificate about watches, at any rate), and I don’t want to talk about that….yet, at least. Today, my mind is on the concept of the Stealth Heavy Hitter luxury watch. When I say “heavy hitter watch”, I mean the sort of sybaritic leviathan that could cover the mortgage of at least a modest home, or maybe a not so modest one, depending on the zip code. Often, the heavy hitter is also a super-hyped timepiece, often chosen by A-list celebrities and the like, so often when collectors talk about high echelon watches like this, they mean a limited edition ceramic AP Royal Oak perpetual calendar, maybe a baguette diamond-set Patek Philippe complication, or, since we’re skirting around the crown for today, a platinum Day-Date with Arabic language calendar and time indications, or the always approval-lapping “Platona” Daytona Cosmograph, resplendent in its platinum garb with glittering baguettes marking the time in sinfully lush style upon the “You know what THIS is” glacier blue background. And let’s not even get into Richard Mille, which in just about any model, to say the most extravagant ones, defines a Mike Tyson level of wealth punch that will leave any viewer reeling with envy or scorn, depending on their inclinations. The Stealth Heavy Hitter, on the other hand, avoids all of this, and indeed, would seldom–if ever–be recognized by anyone, despite being exceedingly special and very, very costly.

Very little going on here, just a beautiful salmon dial with white gold markers and hands. The elegant text hints at more, though!

Laurent Ferrier is a practitioner of this welcome philosophy, and I’ve noted my love for this independent brand before. With his background as a complication specialist at Patek Philippe, Monsieur Ferrier understands better than most what exceptional Genevan watchmaking is all about, just like another former Patek Philippe superstar watchmaker did when he introduced his first models back in the early 2000s, and was free from the constraints of his financial backer Carlos Diaz, or later, the mighty Richemont Group. I’m of course referring to the late, lamented Roger Dubuis. Those first generation Dubuis pieces were uniquely inspired, beautifully detailed, and have become highly sought after because of that. In the modern time, Laurent Ferrier now carries a similarly visionary haute horlogerie banner highly, albeit with his own, entirely different blend of daring and classicism. Each Laurent Ferrier piece in the current range has its own charm, but as with many of the top horologists, the sports watch segment can’t be ignored. With that, we enter the Laurent Ferrier Grand Sport Tourbillon Pursuit, a salmon-dialed sporty beauty with 100 meters of water resistance, and an exquisitely adjusted marvel of an escapement beating within it, showing off the genius of Abraham-Louis Breguet’s most famous invention. We’ve seen the model before, but this is its first debut in titanium, a material well known and appreciated across all sectors of the luxury watch landscape, but particularly the sports genre, where its strength and feathery light weight is most beneficial.

The integrated bracelet look keeps with trends, yet doesn’t slavishly imitate the big hype sport stuff from AP or PP

The first thing that strikes me about the Laurent Ferrier Tourbillon Grand Sport in any of its iterations, is how you can’t see the tourbillon when the watch is face up. Madness you say. Isn’t that the point, to show off this intricate little piece of famous early-19th century micromechanical mastery? Well, not really. Breguet pocket watches never did. Nor did the original Girard-Perregaux masterpieces, their modern wristwatch iterations of the breed notwithstanding. And neither did–or does to this day—Patek Philippe, who apparently schooled Laurent Ferrier well in the concept of supreme discretion. Some might say this concealment is embraced so that the finely lubricated and adjusted tourbillon escapement is not exposed to heat and light that might cause oils to evaporate sooner than would be the case were it not hidden away, but I think it’s more so because it’s just an incredibly classy way to protect the image of this highly refined heart, which before the prestige it granted to buyers, originally served a chronometric purpose. Looking at the dial of the Grand Sport Tourbillon Pursuit, it just appears as a simple three-handed watch with a beautiful yet restrained dial color and Laurent Ferrier signature spear-shaped luminous hands in polished gold. To any passerby on the street, it’s just an attractive but very non-bling, matte silver colored wristwatch. But then, in a moment of privacy and quiet, you take the Grand Sport’s light mass into your hand–courtesy of the large, yet deliciously smooth 44mm titanium case and strongly purposeful integrated bracelet–and turn it over. Now, at last, you can finally perceive and rejoice in what the fuss, and lofty 175,000 (CHF) price tag, is all about.

A joy of fine watchmaking with a great many details, and a tourbillon caliber for the puristic buyer

It is the sort of creation that demarcates the highest level of watchmaking from anything lesser. Caliber LF619.01 is an invitation to appreciate uncompromising mechanical and craft excellence, purely and simply so. Note the delicate yet perfect hand applied bevels on every bridge, which incidentally, are nicely separated in a classic yet unusual pattern to show off the gear train, joined to their pivot jewels which sit securely in deeply angled and polished countersinks. Appreciate the mirror polished screws and equally specular-polished, highly refined click spring that moves with exacting precision as you turn the winding crown to charge the manually-wound caliber’s large spring barrel with 80 hours of autonomy. Not to leave anything extraordinary undone, sharp interior angles abound and await discovery with a jewelers loupe. And, of course, there is the animated star of the show, the magnificent tourbillon with its intricately detailed black-polished steel bridge, large jewel with golden chaton and intricate balance assembly, pulsing at a satisfyingly slow 21,600 beats per hour, the cage spinning the entire assembly steadily around at a rate of one revolution per minute, the classic and most commonly encountered one. Less traditional, but a well-considered boost to real performance, is a special system of two balance springs designed to improve rate stability in day-to-day use. Getting back to the delightful aesthetics of the LF619.01, bridges are given a dark ruthenium finish, which, while less immediately showy than Cotes de Geneve, brilliantly highlight the immaculate specular polish of the various steel components, and leave the visual virtuosity to the ravishing tourbillon assembly. On that aspect in particular, this movement greatly reminds me of the understated, yet sublimely lovely Patek Philippe observatory tourbillon movements of the 1930s through 1950s, which under the adjustment of master regleurs de precision like Bornand and Zibach, earned Patek Philippe numerous awards for exceptional precision at Observatory competitions. As with the one in this watch, these very special movements–despite their superlative beauty, to say nothing of constructive quality and painstaking adjustment–were purpose built, and only destined to be seen by the eyes of a few. Those eyes, however, belonged to the world’s most discerning judges, and these movements reflected the knowledge these elites were expected to possess.

Some inspiration from great PP Tourbillon calibers may be present, and that’s a very good thing indeed!

And that’s much like how the aesthetic concept of this one is, so it’s decidedly appropriate that Laurent Ferrier has taken the extra step to ensure that each of these movements aren’t just pretty, but certified as precision chronometers by the Observatory in Besançon. The finest tourbillons, after all, shouldn’t just be a crass, high horology fidget spinner, but an object of timekeeping excellence, if not so much because such a thing is needed in a mechanical wristwatch, but rather because something so painstaking to assemble and adjust should in fact, reflect the pride of the watchmaker(s) who created and assembled it. And that, my friends, is the definition of a Stealth Heavy Hitter Luxury Watch. No need to show anything off, this is a creation for the buyer, to be enjoyed solely by the buyer…and maybe, just maybe a few close friends with a shared delightful madness for the eccentric (and expensive!) world of highest horology.

Discreet high horology: A view of the very best that only you, or your watchmaker, gets to see

Voutilainen 28SC-SB Central Seconds Watch: Another Handcrafted Masterpiece

Any time that independent watchmaking master Kari Voutilainen debuts a timepiece, it is an event worth paying attention to. One of the world’s greatest living masters, his penchant for classic yet deeply individualistic design, to say nothing of technical and finishing perfection to the highest standards of the horological craft, have long defined his extremely exclusive output and made his works coveted to collectors in much the same manner as fellow AHCI independent and legend Philippe Dufour.

Voutilainen’s new 28SC-SB Central Seconds is first and foremost a technical tour de force, as would be expected. The sapphire exhibition back reveals a place of harmony, artisanal hand finishing typical of Voutilainen, and technical innovation. Perhaps most striking is the wonderfully large and visually dominant balance wheel which incorporates a virtuosic escapement: at the heart, a balance spring incorporating a Phillips overcoil on the exterior curve, and a much less commonly encountered Grossmann curve on the internal. Among the various attributes of this unconventional and meticulously rendered system are a significant reduction in friction compared to a typical Swiss lever escapement, through use of two escapement wheels which convey an efficient direct impulse to the balance. This aspect, in conjunction with Voutilainen’s exceptional attention to regulation, to say nothing of perfect finish of every component in the gear train, assures a very high degree of chronometric performance, all while keeping the traditional (and may I say, poetic and beautiful!) beat rate of 18,000 vibrations per hour like the pocket watches of old. In that same way, the bridges showcase a lovely frosted finish with perfect polish on the interior angles that contrast beautifully with the black polished screws, balance bridge and other steel components. Pinions and wheels showcase similar uncompromising standards of functional and decorative nuance, to ensure not just absolute beauty in aesthetics, but a watch movement that will endure countless decades and generations, all while keeping time brilliantly.

Kari’s lovely Vingt-8 movement gets an interesting case as well. Showcasing classical lines and elegantly shaped lugs, the Central Seconds case is crafted from an unusual variety of 316L. Dubbed AISI 4441, the properties are described as solar-forged and of 100% recycled (and re-recyclable) stock, of which this series of watch cases was apparently the very first use of. While the apparent environmental benefits are certainly appreciated, the beauty is undeniable, and keeps our fascination with steel cases for the finest pieces well and truly alive.

And the dial…what a dial! A feast of textures, colors, and materials, the base material is silver upon which multiple textures interplay. At the periphery, with applied cabochons outboard of the hour indexes is a grained finish. Interior to that, containing the faceted hour indices themselves is a barleycorn type guilloche in green, while the champagne center displays the waviest of guilloche with an almost three dimensional effect. The hands are as distinctive and striking as they are masterful in construction and finish: wrought from a combination of blued steel and 18K gold, they invoke classicism and strong character at the same time, and are another wonderful detail (amongst so many) to enjoy. I’ll add how much I love the winding crown, too: it is quite short and barely sticks out from the caseband, but the deep knurling and large size relative to the case creates an exciting point of architectural interest, and a sense of what is sure to be heightened anticipatory joy as the lucky owner prepares to wind this very special mechanism.

The sad part? Only 12 of these will be made…and one may be certain they’re all spoken for. Seeing work like this is always a pleasure though, and defines what “Grails” can be when we really aren’t fooling about with the term.

Short Blancpain film shows the magic of traditional Swiss watchmaking

Produced by Panoteck in conjunction with Blancpain, this fantastic little film shows a surprisingly broad glimpse into the movers and doers behind the scenes of high level watchmaking, as well as the incredible work they do. Viewing this, I found myself enjoying a moment of almost meditational serenity, and gaining an even deeper appreciation of the Fifty Fathoms Bathyscaphe on my wrist, a watch I already cherish greatly. Among the many things you’ll enjoy in the video include the microscopic levels of finishing details and adjustments of tourbillons, minute repeaters and other grandes complications, the traditional finishing methods of Blancpain craftsmen and women (carried out with traditional tools, steady hands, and a perfectionistic eye), painstaking traditional arts such as miniature enamel painting on dials, vintage watch restoration, movement decoration at a truly high level, and meticulous casing and assembling as well as testing of complete watches

Manufacturers such as Blancpain are the elite of the watchmaking craft, and produce an extremely small output of watches that demand the best in traditional, artisanal skills–the sort that demand a tremendous amount of time to cultivate, and are ever a threatened species in terms of future generations taking their respective place at the bench. I find learning about pieces such as these really reignites my fire for the fascination that watches have long held in my heart. I guess it comes down to this, for me: even though high horology may seem obsolete in a world of mobile phones and modern tech, traditional watchmaking is really all about the people, the art, and the humanity behind it all. Horologically happy? Oh yes! 🙂

(All courtesy to Panoteck and Blancpain, who produced this wonderful video for our collective enjoyment. Thank you!)