Tag: minute repeater

Omega Speedmaster Chrono Chime: Powerful Superflex Against The Crown

(The most complex watch Omega has ever produced, and a world premiere combination of complications!)

The battle between Rolex and Omega for the heart and souls of buyers in the upper-mid tier segment of the Swiss watch industry is one of the enduring sagas of the luxury world. A strange thing to consider, given the age disparity between the two brands–Louis Brandt’s 1848 atelier that would later become the Greek symbol had a goodly head start on Rolex, which didn’t emerge from the consciousness of already enterprising young sales genius Hans Wilsdorf until 1908, and even further take shape as the watches we know and covet until 1926 onward. However, looking at it from the perspective of our current times, it’s still quite easy to forget that there is anything but Rolex as the dominant king, the very archetype, of what a luxury wristwatch is. Indeed, the Rolex inventions of an incredibly sturdy waterproof case, a revised and extremely reliable selfwinding movement of exceptional functional and chronometric excellence, and designs that have aged beautifully and consistently have all contributed to that assurance, and with it, the prowess of an object that has exceeded the very concept of a watch to become a talisman of success, or an alternative form of currency at times; of late, the Rolex aura has gone even farther into the realm of a speculative investment, for better or worse. In short, Rolex is a nonpareil within the market, when compared to products both below and well above its tier within horology. Much of that has certainly been due to an excellent product combined with equally superlative (*ahem*) marketing. If it weren’t for the latter, and the consistency of the brand message, would we still see Rolex as we do? When considering Omega’s own massive contributions to horology for well over a century, some may begin to wonder a bit, and when products like THIS are revealed…it also begs the question, is it an outright travesty that Omega isn’t the undisputed master in this ongoing battle for buyer affection?

(A fusion between high tech and traditional watchmaking craft, the 1932 Caliber is extensively hand-finished, including its bridges of frosted 18K “Sedna” gold. The beautifully beveled hammers stand ready to strike the gongs when activated, and the Co-Axial Escapement with it’s silicon hairspring ensures antimagnetic resilience to 15,000 Gauss.)

Behold the new 18K Sedna gold Speedmaster Chrono Chime and consider what watchmaking fireworks it brings to the table. The most complicated Omega caliber to date, and replete with the now obligatory Co-Axial Escapement, as well as a master chronometer certification, it offers the world’s first minute repeater variant on the beloved chronograph complication, and not just any chronograph complication mind you, but the notoriously complex split-second variety (all complete with a rapid 5Hz balance frequency and the resultant 1/10th second timing precision)! But let’s get back to the most romantic part of this highly technical watch, and what makes it a different from the already prestigious “normal” minute repeater: as a standalone complication, the typical repeater chimes the hours in a low tone, the quarter hours with a high-low combination, and the remaining minutes on top (if any) in individual treble peals when the slide piece on the case is activated. In the Speedmaster Chime, the minute repeating mechanism chimes not the hours and minutes of the time your watch shows, but rather the elapsed time presented by the chronograph display after its use to measure a sequence. So for example, if you were to activate and run the chronograph for 5 minutes, and 53 seconds, and then halt it before activating the repeater mechanism, you’ll hear a series of these notes: low tone (x 5) to indicate the five minutes, a high/low combination x 3 (to represent the three quarters up to :45), and a finale of eight individual treble tones to mark the individual minutes. The tempo of these strikes is beautifully controlled by a patented governor mechanism to allow maximum sonority and clarity of sound as well, something which only a few of the greatest companies (like Patek Philippe) really have down to a wondrous science. Have a listen for yourself here, to hear what you can expect should an Omega Chrono Chime cross your path.

(A dial of starry aventurine glass enamel, and beautiful guilloched details but scratch the surface of the complexity and craft contained beneath)

Omega’s long and rich brand heritage is sometimes lost in a sea of limited edition offerings, and I think–as many probably have lamented as well–that this has been its biggest consistent weakness. It is, perhaps, an inevitability with Omega’s status as the commercially mightiest brand within a corporate portfolio of the mighty Swatch Group, where new (and not always inspired) product is constantly being produced to keep brand revenue and stock market share prices up. Yet, while this Devil’s Due of having the might of the corporate giant behind it has had this occasionally cheapening effect on the perception by hobbyists, the very considerable positive side has been hugely deep pockets to develop the horological might of the great Omega, much as we’ve seen with smaller, more niche brands in the group, such as Breguet and Blancpain. Indeed, it was the deep high horology expertise of the group’s sister Blancpain brand, which was tapped to bring this project to fruition, a long-term benefit to both maisons, at least as far as I see the situation. And make no mistake, the inspiration of creations like the Chrono Chime (as well as other less complex but appealing releases) certainly make up for the occasional Swatch Group peccadillo here and there.

(Holder of 15 patents, and 5 years in development before release, Omega’s Chime caliber comprises 575 hand finished parts. On top of its exceptional complications, it offers 1/10th second timing precision, and all the remarkable magnetism resistance of a Master Chronometer)

Despite what sometimes seems to be, Omega as a whole is much, much more than gimmicky Agent 007-themed divers, and the umpteenth basic Speedmaster Moon Watch edition. Nor is it even “just” about making dependable everyday luxury watches of fine quality at reasonable prices, such as the versatile Aqua Terra or the now-iconic wave-dialed Seamaster 300M line. Omega is a brand that has crossed horological disciplines like few others. As a start, its fanatical devotion to chronometric excellence through the years is remarkable, and like arch-competitor Rolex, Omega have devoted themselves to manufacturing series-produced movements of exceptional practical quality, culminating in the series production of the Daniel’s Co-Axial Escapement, a really remarkable thing if you consider the almost universal hegemony of the Swiss Lever across the watch industry. Omega’s long-standing commitment to creating tool watches suitable for adventures above the earth, and below the deepest oceans is equally impressive, and while Rolex may have great chops in this arena as well, Omega’s mightiest technical watches of both past and present can rival anything the crown has made, and sometimes arguably surpass them. And while haute horlogerie has not been the Omega’s bread and butter compared to the great Swiss patricians like Vacheron Constantin, AP, or Patek, the brand from Biel has certainly produced more than their fair share of remarkable tourbillon watches (both within the parameters of chronometer competitions and production watches such as the Central Tourbillon), minute repeaters, perpetual calendars, and of course…exquisite and innovative chronographs, such as the masterpiece under discussion. None of this sort of mechanical art can be claimed by Rolex, and while one can say that this isn’t Rolex’s game and be right in so doing, it means that Omega offers a combination of diversity, quality, watchmaking prestige, and technical audacity–all with a certain humility of sorts–that is scarcely matched by anyone. It’s been said by a lot of fans that Omega has been on a real roll for the past decade, and I’d have to agree. While not many may have the resources to buy a Speedmaster Chrono Chime or its more subtly luxurious mechanical twin, the 1932 Chrono Chime seen below, the unadulterated watchmaking craft and engineering behind this titan is a tacit nod to the ingenuity and quality contained, albeit in smaller measure, within every Omega currently offered, as well as many references from the past. In a world where luxury watch delivered value is seemingly ever more smoke and mirrors, that kind of authentic prestige is the sort that can make one really proud to wear and support a brand.

(The “other” version of the magnificent Chrono Chime is seen here, in the “Olympic 1932”, an homage to classic Omega sports chronographs which cemented Omega’s proud status as official timer of the Olympic Games. While more austere than the Speedmaster Chrono Chime, with movement oriented differently to shift the subdials, it has a charming pocket-watch adapted style and a classic hand-fired enamel dial)

Patek Philippe 5750P “Advanced Research” Fortissimo: A Dominant Bell Toll In The World Of The Minute Repeater Complication

(A intricate, unusual dial and bright orange strap hint that this minute repeater watch is far, far more than meets the ear!)

Among that elite circle of manufacturers known to produce the devilishly complex minute repeater complication, none are more widely celebrated than Patek Philippe.  Not just because of Patek Philippe’s long expertise in producing these exquisite and highly intricate chiming watches, but their fanatical attention to the sound quality produced by the chimes–itself a difficult acoustic mark to hit, and one affected by many factors, including the length and thickness of the gong springs, the way in which the hammers are adjusted to hit them, and the resonance properties of the case material and its constructive quirks.  Patek has spent many decades mastering this exquisite complication, and one could say they’ve made it a bit of a pleasantly fanatical pursuit to produce the best in class. Indeed, as is well known to many horological devotees, each and every Patek Philippe watch with minute repeater complication is presented to the company head (Thierry Stern, and before him, his father Philippe) who passes the final judgment on whether the product is ready for a discerning owner, or must go back to the master watchmaker’s bench for further minuscule adjustments.
 

(The slide-piece which starts the music is classically placed on the left side of the platinum case, ready to bring the chimes to life)

A quick visit to YouTube to listen to any number of Patek Philippe minute repeater watches of both old and more recent production quickly reveals just how good the brand is at “getting it right”–yet, despite this well-honed mastery, Patek Philippe continues to strive forward and take these aural pieces of horological delight to new levels. The watch we have here, just announced, is the Reference 5750P Fortissimo, and it promises to enrich the traditional minute repeater with innovative technology that will let the chimes of time sing with unparalleled beauty and sonority.  Even more fascinating, the clever acoustical solutions Patek Philippe has come up with negate the advantages (or disadvantages) of various case materials, once a surprisingly important factor in how bold–or muted–a minute repeater might sound to the human ear. That’s one reason that Patek Philippe has chosen to case this groundbreaking minute repeater watch in platinum–a material known to be particularly difficult from an acoustical standpoint.

(The forest of hand finished racks, cams, and other levers under the dial, all meticulously adjusted, control the strike sequence)

What do I mean? Well, denser materials such as platinum tend to absorb more sound than 18K gold, which in turn doesn’t amplify as well as somewhat less noble materials such as steel or titanium, all factors being equal.  Much like an Antonio Stradivari or Giuseppe Guarneri del Gesu choosing the finest tone wood for the construction of a fine violin or cello, the materials chosen play a role in the ultimate effect of the completed instrument. Of course, additional gongs, larger gongs, or innovative case design can all play a role too, and Patek Philippe has gone all out to maximize all the factors in making the ultimate example of a chiming watch. Going back to our luthier example, for those who can appreciate the comparison, that might be the equivalent of the arching of the violin when the top and back are being created–those architectural choices, one way or the other, can impact the sonority of the completed, and strung-up violin, as well its ability to deliver a world class concert sound for years, even centuries, into the future.

At first glance, the base R27 movement appears familiar from other Patek Philippe minute repeating wristwatches such as the Ref. 5074 or 5078. But immediate differences from R27s seen in those watches are also readily observable, such as a new rotor in platinum, thinner than the previous 22K gold component yet equally efficient thanks to platinum’s greater density. Most obviously unique to this caliber, however, is the curious forked apparatus traveling from the case edge and gongs, through the jewel settings of the black-polished repeater hammers and terminating in a circular component. This part, a key aspect of the acoustical amplification of this movement is the highly sensitive sound lever, a direct conduit from the vibrating gongs to an nearly invisible sapphire crystal oscillating wafer with a razor thin thickness of just 0.2 millimeter. This sapphire component, part of the several patented elements in this Advanced Research caliber, is attached to–and works with the transmitting sound lever, and a special titanium ring with several cutouts hidden from view–to boost the sound transmission multiple fold over what a standard minute repeater might be capable. The slightly added height this arrangement gave to the R27PS caliber also helps explain the choice for the thinner platinum microrotor I mentioned earlier–every millimeter of added movement height counts in high horology, and Patek Philippe was not about to make the Advanced Research Fortissimo anything less than an elegant, relatively slender wristwatch.

How much additional sonority does the Fortissimo Module in the Ref. 5750 deliver? Well, Patek Philippe claims a six-fold increase: that is, the dulcet tones of this one can be heard clearly sixty meters away, compared to approximately ten from anything else they’ve produced. That seems impressive indeed, in fact, maybe even slightly more potent than optimal, given the blue-blooded discretion that you’d suspect a typical minute repeater client might normally crave. That said, have no fear–Thierry Stern and his team at Patek have made two other modifications which soothe the near-operatic vocal cords of the Ref. 5750 to a volume befitting the utmost in patrician sensibility. First, Patek Philippe opted for an unusual selection of platinum for the repeater hammers over the standard polished steel, for reasons that the weight and density of the former yield an ultimately softer peal when hitting the gongs. Secondly, and notably, the tempo of a time-strike sequence has been extended for a several second period compared to that of previous Patek Philippe minute repeaters, to allow for a bit more sonic expansion both between hammer strikes, and at the conclusion of the sequence. Of course, at no time will these many refined technical tricks be more enjoyable than at the magical minute repeater “Witching Hour” of 12:59, when the listener is greeted to the always reverential sequence of twelve individual low tones, three high-low combinations for the quarter hours, and an additional nineteen high tones for the remaining individual minutes of the hour.

Yes, the 5750 Advanced Research is a triumphal masterpiece, and represents the best of what Patek Philippe can offer. It’s easy to forget truly wondrous pieces like this amidst the never-ending chatter about the latest Nautilus variant, and the newest sanity-bending sales price for it at one auction venue or another. At 40mm in diameter, this platinum beauty–complete with the signature round brilliant set between the 6 o’clock case lugs as you’d expect–is a contemporary classic already fit to join the rarified company of other Patek minute repeaters produced in years prior. Yet, the Fortissimo has been given some unique details that give it a character unlike any of its siblings. Chalk that up to its saucy orange alligator strap and striking silvered dial with skeletonized lozenge motif; the same detail is echoed on the platinum microrotor’s decoration, and is intended to evoke the spokes of a classic roadster. The dial pattern sort of winks and hints at the engineering brilliance that’s embodied in this classic masterpiece, which is watchmaking artistry on the highest level, no matter how you slice it. The 5750P’s retail price is appropriately high at over half a million dollars, and honestly, watches like this are among the few that can actually justify such Olympian price tags. Only fifteen will be made, and I hope it is the truest of true blue Patek Philippe faithful who acquire these to enjoy and yes…wear. Not just for themselves mind you, but their very blessed descendants as well, just as the historic Genevan manufacturer would intend.