Tag: A. Lange & Sohne

The Jürgensen One: A Hyper Exclusive Luxury Sports Watch Worthy Of A Look, And Your Money

If a high luxury, exclusive sports watch is one’s quarry, it doesn’t necessarily follow that such watch has to be an Audemars Piguet Royal Oak, Patek Philippe Nautilus, or even an A. Lange & Sohne Odysseus or Vacheron Constantin Overseas, as great as all of these admittedly are. Sometimes the most beautiful of watches whisper quietly, and you have to strain your ears a bit to hear them. Once you do though, the siren song they sing is captivating indeed. One such watch is the Jürgensen One from the distinguished Danish-Swiss brand of Urban Jürgensen, which presents a beautiful combination of sublime sporting design, superior materials and artisanal detail in every way, as well as a distinguished mechanical movement worthy of the best in class.

Urban Jürgensen, a great Danish watchmaker of the 18th century, trained along the way by the likes of Abraham-Louis Breguet and Ferdinand Berthoud, and noted for his superlative marine chronometers and observatory clocks–among other creations–would surely find much to admire in the One which bears his name in the 21st century. First, the 41mm case and its bracelet are wonderfully rendered, with an integrated design that resonates with our collective Watch Idiot Savant souls somehow, yet doesn’t imitate those great Genta designs from the decade of bright colors and shag carpets. The smoothness is exceptional, both in terms of the case, and the bracelet with its fine vertical brushing and brilliantly polished pointed ovals for contrast–just the sort of complexity and visual allure that takes watches of this caliber far, far beyond a mid-level luxury sports watch. As an example, the case’s lugs are individually soldered on, a process far more laborious than stamping out a one-piece case as is generally the norm–very few luxury watchmakers do this, apart from an elite handful such as Chopard, who also have the jewelry crafting expertise to match their horological prowess. Beyond the impeccable details and extra effort required, there’s a harmony in the way these elements all flow together in the Urban Jürgensen One, creating a organic, almost soothing form, rather like a pebble gently smoothed by the ageless flow of a mountain stream. And this watch can coexist in a stream as well, or a body of water much deeper: the case construction is robust as well as lovely, with screws fixing down the caseback, and a screwed-down crown assuring water resistance to 120 meters.

(The hands alone are a feast for the eyes, featuring beautiful finishing and attention to detail)

The dial is a masterpiece of contrasts, and I really enjoy how everything works together to create tremendous visual interest. A particular aspect that really makes this watch a stand out amongst its peers is the skeletonized hands, whose form and workmanship are immediate signatures of the Jürgensen brand, particularly the so-called “eye” hour hand, the large circular opening on which is unlike anything else…maybe an extreme, modernized version of the classic Breguet hand, if we had to pigeonhole it? Regardless, I think the distinctive Urban Jürgensen hour hand (as well as the others) is an exquisite touch, and that descriptive applies to everything else as well. Just look at the polishing and detail in every aspect, as well as the pronounced curve of the minute and second hand that dip into the minute track in a way seldom seen outside of classic pocket watches. And on that topic, I think the fire-blued hands on the white dialed model seen just above are the most striking in appearance, as I’m always a sucker for such things (as are many of us, I suspect). Yet despite this finery, and the dial’s guilloched nuances at large, such nicety never interferes with function, and the watch remains extremely easy to read the time from, either by day or night, thanks to restrained yet generous amounts of luminous material applied where needed.

As you’d expect (and certainly hope) for a watch of this kind of execution, the soul is inside the case, and what makes it go. The P5 caliber, developed by the team at Urban Jürgensen, has 34 jewels, a useful 72 hour power reserve, features five position adjustments, and has something I particularly enjoy (but see a lot less of these days): a classic, slower beating, 21,600 vph balance rate. Why do I appreciate that? Hold such a watch to your ear and you find something soothing and relaxing to listen to, compared to the frenetic ticking of one at 28.8 or 36,000 vph–once again, another delightful subtlety to enjoy in the touch, sound, and visual experience of appreciating fine watches. The visuals are lovely as well, with a delightfully wide, radiating sunburst type Cotes de Geneve pattern, traditional fire blued screws, hand-finished anglage on the edges of the bridges, and a signed winding mass with a 22K yellow gold outer weight; the latter is not just an exclusive touch of luxury (which I’ll take on its own!) but it also assures that the rotor efficiently and smoothly feeds power to the two mainspring barrels. Like brands such as (most famously) Rolex, and those of modern Audemars Piguet manufacture, the balance is mounted on a full bridge, which helps bolster the sporting aspirations of the Jürgensen One, especially if the aquatic escapades prove on the bumpier side. While time–ahem–will always tell, the tech specs of this watch certainly match the beauty, and it should prove a reliable and sturdy motor, as well as a pretty one to look at and appreciate, whether the watch is worn for business, pleasure, or both.

It’s definitely worth mentioning that the distinguished Jürgensen One is also offered in a GMT version. While quite a bit higher in price (nearly 10,000 Euros more) than the already lofty simple automatic, it should be a grand companion for the elegant world traveler, and certainly not just because of its looks and pedigree. The base caliber, which shares the architecture of the standard P5, adds a very intelligent and simple to use dual timezone mechanism, by which you can easily advance hours forward and backwards through the international dateline with a quick press of two buttons on the left side of the case. Should you want to know the time at home, you can easily do so via the discreet yet easily legible 24 hour subdial at the 6 o’clock position. In either model, Urban Jürgensen has achieved the creation of a worthy competitor to the great high luxury sports watches, and I certainly hope to see this piece win over increasing numbers of demanding wrists. As an added plus, for those who enjoy being in an elite club, production quantities for this brand are way, way lower than their illustrious competitors, and a conversation with someone who has one, if you ever encounter another that is, is sure to create a real camaraderie that only the most ardent of watch lovers can understand.

A. Lange & Sohne Cabaret Tourbillon Handwerkskunst: The Spectacular Return Of Germany’s Most Glamorous Rectangular Watch


With every bit of regrettable news, a brighter update can often emerge to save the day. In the case of A. Lange & Sohne’s beautiful rectangular watch, the Cabaret, “the show” came to an end some time ago. This model loss in the Lange catalog always seemed a shame to me, however understandable it may have been from a business perspective. Rectangular watches, after all, are a rare, if less appreciated breed in modern times–but this one was stunning. The glamorous Cabaret bucked the trend of round watches both within and beyond Lange’s outstanding catalog, and was a daring, dashing, and provocative challenger against established offerings from revered Swiss watchmaking houses like Jaeger-LeCoultre with the Reverso, and exceptional houses of jewelry who also happened to make fine watches, such as Cartier and their iconic Tank. But alas, the Cabaret, despite gaining a few acclaimed variants like a beautiful Moonphase iteration, proved a slow seller in the original Lange lineup, and was dropped in favor of continued development on the 1815, Lange 1, Datograph, and other hard hitting model families.

Still, before the final curtain, Lange brought out its ultimate Cabaret iteration–one fitted with an exceptional tourbillon caliber in 2008, and this watch continued in production for five years. Fast forward to 2021, and the Cabaret Tourbillon is back, and what a reissue it is! A. Lange & Sohne applies the Handwerkskunst designation to a tiny handful of models for very limited production, that showcase the absolute highest, no holds barred, levels of craftsmanship the brand is capable of. Of course, every A. Lange watch is a masterpiece of watchmaking and craft, but these special models take things even further, and this Cabaret Tourbillon lives up to every expectation one might have of something like this…as if the original model wasn’t impressive enough.

Starting with the 26.5mm wide by x 39.2mm tall platinum case, we have a very exclusive material, and it suits the dial materials and artistry very well, as we’ll explore in a moment. The Cabaret case has always been an extremely intricate iteration of the square/rectangle form, with its stepped bezel and subtle yet strong lugs that flare every so slightly away from the contrastingly brushed caseband. This is not a case for mass production, and handling one, or even seeing a good quality image, should tell you that the creation process is, and was, very costly. The dial, with its muted silver and grey tones, to say nothing of delectable texture and depth, is where our mouths begin to fall open a little bit, because there is a lot going on there—all very simply and elegantly of course–and we must take a deeper dive to understand just how much handcraft is needed to create this playing field of finely measured time.

A. Lange & Sohne artisans begin with a dial base of white gold, the center of which is entirely carved out by hand with an interlocking series of lozenge (or diamond shaped, if you prefer) motifs, a task which as you may imagine, involves an extraordinarily trained and unhurried engraver’s hand. Additional tasks the engraver also has to achieve here on the Cabaret Tourbillon include a tremblage section around the tiny periphery of the diamond-within-diamond section, and a grained pattern on the black rhodiumized outer area in which the gold Roman numerals are applied. Let’s backtrack to that tremblage aspect again, just to focus on one technique here, and what difficulty it entails: the engraver, armed with a burin tool, must impress tiny interconnecting dots, not too deep, yet just enough, so as to create a fine stippled texture. Needless to say, a person not possessed of patience–extreme patience?–need not apply. Yet, it only gets harder from here, believe it or not!

After accomplishing all this, the skilled hands at Lange must undertake the most hair-raising element of creating these dials: grand feu enameling. Long considered one of the trickiest handcrafts in making exceptional watches, dials in this type of enamel are difficult enough to produce on simpler dials, from application to kiln firing, all the while hoping the translucence and evenness holds up and survives the literal trial of fire without any cracks. Speaking of those, the odds of cracking are much higher on a dial like this, due to the intricate metal structures around the apertures (for the date windows, tourbillon cage, and second hand and power reserve subdials), which place heightened stress on the already fragile, thin enamel. These tricky obstacles resulted in approximately half of these Cabaret dials requiring things to start from scratch, all over again. Further adding to the nerve-wracking process was an additional final firing cycle–at a somewhat lower temperature–just to fix the brand signature, in a very specific paint, to the enamel base! It seems the powers that be at A. Lange & Sohne were quite relieved that only thirty had to be completed, and that I can absolutely believe. That said, the result of their labor is indeed amazing and lives up to everything the Handwerkskunst designation promises.

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As expected, the movement is a match to the glorious dial. L042.1 equals and then builds on the excellence of the one powering the original Cabaret Tourbillon. In terms of technical basics–a long 120 hour power reserve (courtesy of two large mainspring barrels), a hand-crafted, hand-regulated one minute tourbillon mounted on diamond endstones in the manner of the finest Saxon watches, and jewels mounted in gold chatons fixed down with fire-blued screws–they are much the same. Yet this watch does offer some additional refinements over its predecessor. For example, the balance wheel contained within the 60 second “whirlwind” is now freely sprung for superior performance, and as an additional point, shows off Lange’s now in-house manufactured balance spring. And, as superlative as the finish of the first rectangular Lange tourbillon caliber was, this one offers some additional flourishes and differentiators: plates are frosted rather than Glashutte ribbed, and the winding wheels have a circular grained finish that differs slightly from the typical sunburst effect seen on other such Lange components. (And may, may I add, holy smokes are those wheels finished impeccably!) Perhaps most distinctively, the cocks supporting the intermediate drive wheel and tourbillon carriage charmingly show off the same–hand engraved, of course!–lozenge motif that the dial does. Art, craft, and history are all seamlessly joined in the Cabaret Handwerkskunst.

Leave it to A. Lange & Sohne to leave our mouths watering once again. As mentioned, there won’t–and really, can’t–be too many of these. For the thirty who are fortunate enough, the necessarily steep €315,200 asking price for this extraordinary Lange Cabaret is surely just a formality.